Description

Product Features

• Covers Full Frame Sensors
• T1.4 to T22 Aperture Range
• 16-Blade Iris
• 95mm Outside Diameter
• 13 Elements in 9 Groups
• 270° Focus Rotation, 80° Iris Rotation
• 19.7 Minimum Focus Distance
• Cinema-Standard Gearing

• In the Box

  • DZOFilm Arles 50mm T1.4 FF VV Prime Cine Lens (ARRI PL)
  • Front Cap
  • PL Rear Cap
  • Shim Set
  • Support Base
  • Support Rod

  • Overview

    Arles Prime
    Speeding Towards Cinematic Visual Brilliance
    14 | 21 | 25 | 35 | 40 | 50 | 75 | 100 | 135 | 180 mmM
    T1.4-T2.4 | VV FF
    The Arles Prime lens series draws its name from the picturesque town of Arles in southern France, a cherished source of inspiration for the artist Vincent van Gogh. Renowned for its abundant sunlight and vibrant colors throughout the seasons, Arles catalyzed van Gogh s departure from conventional artistic styles.
    DZOFILM s Arles Prime series, with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.

    Unparalleled Spatial Visual Impact
    
    
    
    
    This High Speed Prime Cine Lens – Arles Series – covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for enhanced depth and dimension in your visuals. This results in broader, more immersive images with rich detail. T1.4 aperture and unique field curvature design offer exceptional focus control, creating a three-dimensional visual experience with smooth transitions between in-focus and out-of-focus areas.

    High-Speed Prime for Ultimate Visual Quality
    With its T1.4 ultra-wide aperture, the Arles Prime provides ample light intake, excelling in low-light and complex shooting conditions, since it captures images quickly in low-light conditions, reducing exposure time and increasing shutter speed. This high-speed lens for shooting creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail, especially under low light.
    At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. This fast glass supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage cinematographers demand.

    Crafted Precision for Immaculate Clarity
    
    Using advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating that ensures precise flare control with minimal stray light and ghosting, plus exceptional color accuracy across the spectrum.
    For cinematographers, this means total control over your flares when shooting into light sources, while maintaining rich, true-to-life color rendering that holds up even in challenging lighting conditions. The specially calibrated blue coating ensures natural color reproduction, delivering a modern yet distinct look that enhances the immersive quality of the imagery.
    This entire T1.4 cine lens series incorporates a protective coating on the front lens element to resist dust and dirt accumulation, ensuring high light transmission and consistent optical clarity.

    
    The internal lens structure utilizes sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity, reducing diffuse reflections. Even when shooting directly against the light, the lenses deliver clean and sharp images.
    Across the entire focal range, these high-speed lenses maintain consistent color temperatures of around 5000K, faithfully reproducing vivid, true-to-life colors and presenting a natural, neutral visual style for video production.

    Cinematic Depth with Painterly Rendering
    
    
    
    
    The Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image, enhancing the emotional depth of each frame.

    he built-in floating lens elements substantially minimize aberrations during focusing transitions from infinity to close-up, improving optical performance. Its minimal breathing immerses viewers in each frame, amplifying the emotional impact of the scenes.

    Exquisite Optics
    Superlative Performance
    The Arles Primes achieve remarkable image quality through rigorous optical design, ensuring consistent high resolution while meeting the demands of high-end cinematography.

    The 14mm, 21mm, and 25mm lenses each incorporate two aspherical elements (including one 50mm large-diameter aspherical element), effectively controlling distortion and maintaining edge-to-edge sharpness even when shooting wide open at T1.4. With micron-level precision manufacturing, these lenses maintain a lightweight and compact form while effectively correcting spherical aberration and coma, reducing onion-ring bokeh, and minimizing wide-angle distortion and astigmatism.
    The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration, resulting in exceptional optical performance.

    
    
    
    
    
    

    Comprehensive Focal Range for Diverse Creation
    
    With a comprehensive set of 10 lenses covering ultra-wide, standard, and telephoto focal lengths, the Arles fast aperture cine prime series caters to a wide range of shooting scenarios while maintaining consistent visual aesthetics.

    [ DZOFILM Arles Focal Length Coverage ]
    
    *Charted based on Vista Vision format, actual results may vary.
    Compatible with larger format sensors, it offers coverage for medium format cameras such as the Fujifilm GFX 50S (43.8 × 32.9mm format) with focal lengths ranging from 25mm to 50mm, as well as large format cameras like the ALEXA 65 (54.12 × 25.59 mm) with focal lengths from 75mm to 180mm, satisfying the diverse needs from independent filmmaking to large-scale film production.

    [ DZOFILM Arles Format Coverage ]
    *Example shot with the 50mm lens on the Fujifilm GFX 50S

    Robust Mechanical, Smooth Workflow
    The Arles undergoes thorough testing to ensure structural integrity. With micron-level precision, this wide-aperture prime lens guarantees smooth operation of the focus and aperture rings for precise focusing and accurate exposure.

    
    The dual interchangeable imperial metric focus scale design facilitates quick switching, meeting diverse needs.

    Compact Design for Seamless Integration
    Designed to work seamlessly with industry-standard cine accessories, it includes a uniform front diameter of 95mm and an 86mm filter size over the whole range.With a standard 0.8 MOD gear pitch design and consistent positioning of focus and aperture rings across the series, lens and accessory swaps require no readjustment, greatly enhancing on-set efficiency. Except for the 135mm and 180mm, all lenses maintain the same body length, further simplifying equipment changes.
    The lightweight, compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams, such as DJI Ronin 2, Freefly Movi Pro, and ARRI Trinity. With the diverse compatibility, it opens limitless shooting possibilities, including handheld, vehicle-mounted, shoulder-mounted, and aerial shots.

    Flexible and Inclusive for Unlimited Innovation
    
    1.5cm short rear part design allows Arles lenses to adapt flexibly to PL, EF, and LPL mounts such as ARRI Alexa Mini LF, RED V-Raptor, Canon C400, and Sony VENICE 2. Its compatibility with KOOP magnetic rear filters and various optical adapters, opening up a wide range of creative possibilities.
    
    
    
    

    What sets the Arles Primes apart is their ability to achieve an IMAX-like depth of field at T 1.4.

    Matt Bendo CSC, AIC
    Cinematographer
    
    The combination of the Arri Alexa LF and these lenses allows for a depth of field comparable to that of large format lenses used on 65mm cameras, but with the added benefit of a faster T-stop. The images have a painterly quality and perform incredibly well wide open at T 1.4, making these lenses feel like a vital part of my creative toolkit, allowing me to tell my stories with unmatched visual impact.

    Vincent Gallot, AFC
    Cinematographer
    
    There are no compromises in the technical qualities of the Arles. They have their own identity, giving them a place in their own right among lenses dedicated to film shooting.
    Their typicality is expressed differently on the sensors of the major camera brands, allowing me to imagine several different looks, several different alchemies, while retaining the particular, organic suavity of Arles primes.